I began this blog at the beginning of 2010 as a kind of thinkdump for the process of being an artist and how it differs radically from my intentions, how domestic reality constantly interferes with the creative. In writing this blog I am trying to embrace these interstitial episodes as being the creative.

the links below are anxillary to this theme

http://wintodaylosetomorrow.blogspot.com/

http://ididntgetaroundtoit.blogspot.com/

Endgame (1957)

Nell: Nothing is funnier than unhappiness.
Nagg: Oh?
Nell: Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.

Wednesday, 31 March 2010

commitment

not managing a daily entry to the blog becomes another stick to beat myself with. (split infinitive - bad grammar, also deserves punishment).
before starting a blog I produced a stack of sketchbooks with random musings - these I think describe the nature of thought: consistent but random, and are, in themselves, a body of work.  it's my belief that, were I to collate their entire content, to organise it, to impose taxonomy, an oeuvre would emerge.  will I ever do this? quien sabe.
a blog is a different model of thought collection.  I might almost resist its linearity, for, in my sketchbooks, I don't start at the beginning and work through to the end.  I might start anywhere and work 'backwards' or 'forwards', amend some previous thought, annotate something else.  the sketchbooks are primarily full of words, though I often doodle in them when listening to a lecture or someone talking; they are the conduit for nervous energy, the scribblings a mirror of another's rhythms of speech, the acknowledgement of my listening, which I do better if my body can do autonomous actions.  I can think better this way as well: whilst walking or gardening. 
my allotment, also, is an expression of mind sketches; sometimes I am aware of others gardening very seriously, digging rectangular beds and planting vegetables in straight rows.  do the vegetables appreciate this regimentation?  I often come to, realising I have been pottering for an hour, transplanting weeds, lobbing snails into the distance.  I have discovered a word, 'pottager', which I think describes the more random appearance of my allotment: a few vegetables here and there and some flowers amongst.

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